Steve Lambert’s Capitalism Works for Me True/False, currently being shown at various locations in Boston
Lambert at Occupy Boston in October with one of the many signs he made with Josh Luke
On April 28, 2012 from 5:00PM to 10:00PM, artists from Occupy Boston will host a gathering with artist and cultural provocateur Steve Lambert. Taking place at Samsøn (450 Harrison Avenue), this event will be an opportunity for Lambert and the greater Occupy community to connect over questions of messaging, humor, culture jamming, and creative activism as the movement heads into the coming seasons. Following the discussion, we will screen the film The Yes Men Fix the World.
Lambert’s work includes The New York Times Special Edition produced with the Yes Men and many other groups in 2008 and distributed in cities across the US carrying headlines such as “Iraq War Ends,” “Maximum Wage Law Passed” and “All Public Universities to Be Free.” More recently, Lambert’s gigantic, sign/scoreboard Capitalism Works For Me,True/False is touring the country posing a personal question its viewers can vote on.
The Present Group writes of Lambert’s work, “These bits of provocation get people thinking (and talking) about how they act, what they believe, how they imagine the world around them, and how they imagine it could be.” With the School for Creative Activism, Lambert has taught workshops that infuse creative tactics with traditional community organizing and civic engagement.
Lambert, along with painter Josh Luke, produced signs for many of the tents in the Dewey Square occupation in October 2010. Intending to produce change, he’s given simple advice for how to do more than “raise awareness” while maintaining a positive attitude. Join us on the 28th as we recharge our creative batteries and rehash the radical. Spring is upon us. There is difficult and enjoyable work to be done, absurd futures to dream up, and important questions to ask ourselves in the next stages of the Occupation. We think art and creative action should play a significant role in the shapes, forms, and modes of communication and performance employed in these next steps.